ProZ.com translation contests »
17th Translation Contest: "The Sounds of Silence"

Preparing
Submission phase  
Jun 1Jul 5
Hybrid phase  
Jul 6Aug 2
Finals phase  
Aug 2Aug 24

About the Submission phase

During the Submission phase, entries may be submitted in any language pair, per contest restrictions. Contestants are allowed to edit their entries until the end of the Submission phase.

At the end of the Submission phase, all language pairs with submitted entries will be "paused" for review by the contest administrator.

About the Hybrid phase

During the Hybrid phase, individual language pairs can be placed in any of the Submission, Qualification, or Finals phases, depending on how many entries have been submitted.
  • Pairs which received fewer than 3 entries during the Submission phase will likely be placed in an "extended submission" period. If at least 3 entries are eventually submitted, the pair will be moved forward to the Finals phase.
  • Pairs which received between 3 and 7 entries will likely be placed directly into the Finals phase, where site users who list that language pair in their profile may vote for what they feel are the best entries.
  • Pairs which received more than 7 entries will likely be placed into the Qualification phase, where site users rate and tag entries in an effort to determine a smaller pool of entries which should move forward into the Finals phase.

About the Finals phase

During the Finals phase, all language pairs which have received at least 3 entries will be open for site users to vote for what they feel are the best entries. Pairs with fewer than 3 entries will not be able to have a winner determined.

At the end of the Finals phase, votes will be tallied by site staff, and winners in each pair will be announced.
Competition in this edition of ProZ.com translation contests is finished. Winners have been announced in 53 language pairs. Click here to view the winners »

It is now possible to discuss and provide feedback about the competition in each language pair by visiting the "Discussion & feedback" tab within each pair listed below. Submitted entries may also be discussed individually — consider congratulating the winners!


Source text

The following are the source texts for this edition of the ProZ.com translation contests. Contest participants are given the opportunity to submit translations of these texts into the languages of their choice. If three or more translators translate a text into a given language, the contest is "on" in that language pair. To learn more about the source texts, see the "About the source text" section below.
English
– People crave silence, yet are unnerved by it, The Economist
A theme of the age, at least in the developed world, is that people crave silence and can find none. The roar of traffic, the ceaseless beep of phones, digital announcements in buses and trains, TV sets blaring even in empty offices, are an endless battery and distraction. The human race is exhausting itself with noise and longs for its opposite—whether in the wilds, on the wide ocean or in some retreat dedicated to stillness and concentration. Alain Corbin, a history professor, writes from his refuge in the Sorbonne, and Erling Kagge, a Norwegian explorer, from his memories of the wastes of Antarctica, where both have tried to escape.

And yet, as Mr Corbin points out in "A History of Silence", there is probably no more noise than there used to be. Before pneumatic tyres, city streets were full of the deafening clang of metal-rimmed wheels and horseshoes on stone. Before voluntary isolation on mobile phones, buses and trains rang with conversation. Newspaper-sellers did not leave their wares in a mute pile, but advertised them at top volume, as did vendors of cherries, violets and fresh mackerel. The theatre and the opera were a chaos of huzzahs and barracking. Even in the countryside, peasants sang as they drudged. They don’t sing now.

What has changed is not so much the level of noise, which previous centuries also complained about, but the level of distraction, which occupies the space that silence might invade. There looms another paradox, because when it does invade—in the depths of a pine forest, in the naked desert, in a suddenly vacated room—it often proves unnerving rather than welcome. Dread creeps in; the ear instinctively fastens on anything, whether fire-hiss or bird call or susurrus of leaves, that will save it from this unknown emptiness. People want silence, but not that much.

About the source text

The source texts for ProZ.com translation contests are typically selected by ProZ.com members with a goal of providing interesting and challenging material that enables top translators to show their talent.

To ensure a fair competition, efforts are made to avoid texts for which published translations exist. If you know of the existence of a published translation of any of these source texts into any language, please notify the site staff with a support request.

The views expressed in these texts should not be considered representative of the views of either ProZ.com staff members or the members of the ProZ.com community who have selected the texts.


ProZ.com translation contests

ProZ.com translation contests offer a fun way to take a break from your normal routine while testing and honing your skills with fellow translators.


ProZ.com Translation Contests. Patent pending.

Your current localization setting

magyar

Select a language

All of ProZ.com
  • All of ProZ.com
  • Terminológiai keresés
  • Munkák
  • Fórumok
  • Multiple search